Cast: john Kassir, Lea Thompson, Britt Leach, Brett Cullen, Pamella D’Pella, G. Smokey Campbell, Burke Byrnes, Matthew Faison, Pamela Gordon, Pamela West, and also Barry Thompson

Composer: Jay Ferguson


A pawnbroker (Britt Leach) uses Sylvia Vane (Lea Thompson), a fortune-hunting prostitute, ten thousand dollars in exchange for her beauty—a proposal the Sylvia accepts there is no hesitation. After ~ spending the money on fancy clothes, Sylvia seduces Ronnie Price (Brett Cullen)—a handsome, well-off young man—and later on

marries him, offering the former streetwalker through the life of she dreams. Once wrinkles begin showing up on she face, however, Sylvia regrets no taking seriously her commitment with the pawnbroker.

You are watching: Tales from the crypt only sin deep

Operating ~ above the failure premise that a gum-chewing, lip-smacking prostitute could pass because that the perfect woman, “Only Sin Deep” forgoes a realistic technique to character development. The being said, the creepy, suspenseful tone of Sylvia’s interactions through the pawnbroker—a ghoulish guy hiding an horrible secret—will appeal to Tales indigenous the Crypt enthusiasm for noticeable reasons.


Though rather light on traditional horror elements, “Only Sin Deep” benefits from the skin-crawling manner and appearance of Britt Leach’s character—a

mysterious, malevolent pawnshop owner that wishes nothing more than to regain the beauty, beauty of his “wife” (revealed to it is in a rotting corpse retained alive only by the pawnbroker’s memory of her).

Also great are the make-up effects used to Lea Thompson’s face, which, when coupled with the mortified reactions of Sylvia, combine the credibility the writer Fred Dekker’s narrative principle (i.e. A twenty-one-year-old mrs aging five years in less than four months).


By illustrating Sylvia together a vicious and calculating (if not overly intelligent) psychopath willing to go murder, extortion, and also any crime vital to meet

she selfish needs, Thompson (known for playing Lorraine McFly in the Back come the Future trilogy) will elicit contempt from viewers that a perceptible nature—likely the intended outcome of her performance. Nevertheless, Sylvia falls short to embody the characteristics charm the a female gold digger, prompting one to question why Ronnie—undoubtedly a guy with countless options—would forgive the actions of an abusive, obnoxious, foul-mouthed party guest; let alone invite such an ill-bred woman to re-superstructure in his luxurious lifestyle.


“Only Sin Deep” consists of a thoughtful, albeit no exceptionally profound, message about the threats of relying exclusively upon superficial devices (e.g. Make-up, attractive garments items, etc.) while attempting to development in life. Special, a primary emphasis on external beauty avoids Sylvia from emerging a decent occupational ethic, thereby bring about a destructive predicament because that her—a commentary on the pitfalls of a shallow, self-centered worldview.

Concluding Comments

The very first of countless Tales native the Crypt offerings to rental the gold-digger trope, “Only Sin Deep” have to be requisite viewing because that fans the this series. Especially worth praising is the final twist featured in this episode, which will no doubt accomplish those with a compelling sense of justice.

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Overall Quality: 7/10

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